Jumme Ki Raat Ho Ya Din | Lata Mangeshkar, Mukesh | Dulha Dulhan @ Raj Kapoor, Sadhana
========================================= film (Dulhan Ek Raat Ki)(1967)
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Dulhan Ek Raat Ki Cast & Crew
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Dulhan Ek Raat Ki
Dulhan Ek Raat Ki (transl. Bride for One Night) is a 1967 Bollywood film starring Dharmendra, Nutan and Rehman, the same trio who did Dil ne Phir Yaad Kiya. The film is based on the Thomas Hardy novel Tess of the d'Urbervilles. The songs from this film became hits. "Sapnon Mein Agar Mere", "Ek Haseen Shaam Ko Dil Mera Kho Gaya", "Maine Rang Li Aaj Chunariya" and "Kai Din Se Jee Hai Bekal" are evergreen numbers.
As the newlyweds are about to go to bed, the hotel proprietor knocks on the door and hands Ashok a letter from Bansi. It's about their new house and Nirmala wants to read it; but it also contains her letter, which Bansi found under the carpet when he was packing up the camp. Nirmala is horrified, but gives the letter to Ashok. He reads it and walks away from her, stunned. When she follows him and pleads innocence, he agrees that she is innocent but that she is no longer the same Nirmala he worshipped and alienated his father for; he asks her why she didn't leave the job as soon as she suspected Ranjit's intentions. She leaves and goes home to her mother, hoping that he will come and get her—but he doesn't. Back at Ashok's, Bansi confronts him. As weeks pass into months, Nirmala decides to leave her mother's since the neighbors are all gossiping about her prolonged stay. She goes to Nainital, where she gets a job as a governess to a man with seven children. She enjoys the children and her new employer is good to her, but she still longs for Ashok. Her new employer's brother-in-law and niece arrive for a visit, and Nirmala soon realizes that they are Ashok's father and sister. Ashok's sister Sudha befriends Nirmala, not knowing that she is her bhabhi. Then one day as Nirmala is out walking, she hears a holy man over the loudspeakers outside a mosque. His words move her, and she goes in to meet him and get his blessing. It's Ranjit! She flees, but he follows her home and tells her that he is reformed; that after his mother died (she understood very well what kind of man he was) he wandered the world for a bit, and found God, and repented for all his sins. Nirmala tells him bitterly that she doesn't believe him and tells him to leave. A few days later he shows up again. He has transformed himself again from a guru to Ranjit. He tells her that after seeing her, he could not get her out of his mind, and that she is right—his sins are too great for him to be a man of God. He wants to live with her and take care of her. She angrily rejects him, but he keeps visiting. Back at his home again, Ashok's father has become very ill, and calls for Ashok to come see him. At the house, Ashok sees a photograph of Nirmala, which his sister had brought with her from Nainital as a memento of their friendship. He tells her that Nirmala is his wife and explains why they are not together. His sister and father convince him to go get her and bring her home. He sets off for Nainital to find Nirmala. Sudha telegrams Nirmala about this, delightedly she awaits for him. But Ashok leaves without meeting Nirmala. Nirmala hears Ashok going and comes out of the house and finds Ranjit, who had whisked Ashok away by telling him a lie that Nirmala is now happily living with him as he obsessively loves her. Nirmala, when she is about to leave to stop Ashok, she is stopped by Ranjit, who says that she belongs to him forever, not Ashok, enraged Nirmala stabs Ranjit to death for ruining her life and separating her from Ashok. As she leaves to stop Ashok, her neighbour witnesses the murder. Nirmala stops Ashok and tells him the truth about Ranjit and confesses her crime. Ashok accepts Nirmala and realises his mistake for not trusting her. He then realises that the police are after Nirmala, and ensures her that he will take the blame on himself, but Nirmala refuses by saying that crime cannot go unpunished, and she will surrender to police in the morning and asks Ashok to spend one last night with her together before police separate them. Then Ashok and Nirmala spend their last night together and consummate their marriage. The film ends as dawn breaks.
Arrogant
son of a wealthy, blind woman, rapes his mother's nurse and abandons
her. She gets pregnant but the child does not live ...
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Director: D. D. Kashyap Producer: Taxila Music: Madan Mohan Main Cast: Dharmendra, Nutan, Leela Chitnis, Johnny Walker.
Song : Ek haseen shaam ko dil mera kho gaya.. Film : Dulhan Ek Raat Ki,1966, Singer: Mohammed Rafi, Lyricist: Ali Khan, Mehdi ...
Movie: Dulhan Ek Raat Ki (1966) Director: D D Kashyap Cast: Dharmendra, Nutan, Johnny Walker, Rehman. Lyrics: Raja Mehdi ...
This is one of the unforgettable compositions by Madan Mohan; there are no words to describe it. It is also a remarkable ...
Rajesh
is a lawyer by profession. One day when he had gone for an outing, he
finds a girl attempting to commit suicide. He saves ...
SONGS:-
Song : Ek haseen shaam ko dil mera kho gaya.. Film : Dulhan Ek Raat Ki,1966, Singer: Mohammed Rafi, Lyricist: Ali Khan, Mehdi ...
Movie---Dulhan Ek Raat Ki Singer---Mohammed Rafi M/D-----Madan Mohan Kohli.ek hasin shaam ko dil meraa kho gayaa
pahale apanaa huaa karataa thaa
ab kisikaa ho gayaa
muddato se aarazu thi
mere dil me koi aaye
suni suni zindagi me
ek shammaa jhilamilaaye
vo jo aaye to roshan zamaanaa ho gayaa
ek hasin
mere dil ke kaaravaa ko
le chalaa hai aaj koi
shabanami si jisaki aankhe
thodi jaagi thodi soyi
unako dekhaa to mausam suhaanaa ho gayaa
ek hasin
Song : Sapnon me agar mere tum aao to so jaun.. Film: Dulhan Ek Raat Ki, 1966, Singer: Lata Mangeshkar, Lyricist: Raja Mehdi ...
Arrogant
son of a wealthy, blind woman, rapes his mother's nurse and abandons
her. She gets pregnant but the child does not live ...sapno me agar mere
tum aao to so jaaun
tum aao to so jaaun
sapno me agar mere
baho ki mujhe mala
pahnaao to so jaaun
pahnaao to so jaaun
sapno me agar mere
sapno me kabhi saajan
baitho mere paas aake
sapno me kabhi saajan
baitho mere paas aake
jab sine pe sar rakh du
mai pyaar me sharmake
ek geet mohabbat ka
tum gaao to so jaaun
tum gaao to so jaaun
sapno me agar mere
beeti hui wo yaade, hansti hui aati hai
beeti hui wo yaade, hansti hui aati hai
lahro ki tarah dil me aati kabhi jati hai
yaado ki tarah tum bhi
aa jaao to so jaaun
aa jaao to so jaaun
sapno me agar mere
tum aao to so jaaun
tum aao to so jaaun
sapno me agar mere
Song : kai din se jee hai bekal.. Film: Dulhan Ek Raat Ki, 1966, Singer: Lata Mangeshkar, Lyricist: Raja Mehdi Ali Khan, Music ...
Arrogant
son of a wealthy, blind woman, rapes his mother's nurse and abandons
her. She gets pregnant but the child does not live ...
Song : maine rang li aaj chunariya sajna tore rang mein.. Film: Dulhan Ek Raat Ki, 1966, Singer: Lata Mangeshkar, Lyricist: Raja ...
Arrogant
son of a wealthy, blind woman, rapes his mother's nurse and abandons
her. She gets pregnant but the child does not live ...maine rang lee aaj chunariya sajana tore rang me
maine rang lee aaj chunariya sajana tore rang me
maine rang lee
jiya mora chahe mai bhee khelu o sajanava holee aaise
radha ne kanhaiya sey prem kee holee khelee jaise
prem ke mai rang phenku
bin tumhare kuchh naa dekhu
maine rang lee aaj chunariya sajana tore rang me
kitne jatan sey yeh rup sajaya maine sajana
soye huye sapne ko phir jagaya maine sajana
mai toh dubee prem ras me
ab nahee mai apne bas me
maine rang lee aaj chunariya sajana tore rang me
jaldee sey aa meree bavree ankhiya teree pyasee
charnon me tere piya swarg basa le teree dasee
tum bata do mere kya ho
mai to janu devata ho
maine rang lee aaj chunariya sajana tore rang me
Song :kabhi ae haqeeqat-e-muntazar.. Film: Dulhan Ek Raat Ki, 1966, Singer: Lata Mangeshkar, Lyricist: Allama Iqbal, Music ...
kabhi ae hakikate muntjar, najar aa libase majaj me
kabhi ae hakikate muntjar, najar aa libase majaj me
ke hazaaro sajde tadap rahe hain meri jabine niyaz me
kabhi ae hakikate muntjar
na bacha bacha ke tu rakh ise
na bacha bacha ke tu rakh ise
tera aaina hain wo aaina
tera aaina hain wo aaina, aaina, aaina
na bacha bacha ke tu rakh ise
na bacha bacha ke tu rakh ise
tera aaina hain wo aaina, aaina, aaina
tera aaina hain wo aaina
ke shiksta ho to ajijtar hain nigahe aaina saaz me
ke shiksta ho to ajijtar hain nigahe aaina saaz me
kabhi ae hakikate muntjar, najar aa libase majaj me
kabhi ae hakikate muntjar
na wo ishq me rahi garmiya, na wo husn me rahi shokhiya
na wo ishq me rahi garmiya, na wo husn me rahi shokhiya
shokhiya, shokhiya
na wo ishq me rahi garmiya, na wo husn me rahi shokhiya
na wo gajnawi me tadap rahi hain
na wo kham hain julfe aayaz me
na wo gajnawi me tadap rahi hain
na wo kham hain julfe aayaz me
kabhi ae hakikate muntjar, najar aa libase majaj me
kabhi ae hakikate muntjar
main jo sar-b-sajda kabhi hua, to jami se aane lagi sada
main jo sar-b-sajda kabhi hua, to jami se aane lagi sada
aane lagi sada, aane lagi sada
main jo sar-b-sajda kabhi hua, to jami se aane lagi sada
tera dil to hain sanam aashna, tujhe kya milega namaj me
tera dil to hain sanam aashna, tujhe kya milega namaj me
kabhi ae hakikate muntjar
kabhi ae hakikate muntjar, najar aa libase majaj me
najar aa, najar aa
najar aa libase majaj me
ke hazaaro sajde tadap rahe hain meri jabine niyaz me
kabhi ae hakikate muntjar
Arrogant
son of a wealthy, blind woman, rapes his mother's nurse and abandons
her. She gets pregnant but the child does not live ...
Aapne Apna Banaya - Dulhan Ek Raat Ki.aapne apna banaya meharbani aapki
meharbani aapki hum to is kabil na the
hum to is kabil na the hum to is kabil na the
hai kadar jani aap ki meharbani aapki
aapne apna banaya
aaj humne dil ke badale aap ko dil de diya
aaj humne dil ke badale aap ko dil de diya
aaj humne dil ke badale aap ko dil de diya
isi inayet is navaris is karam ka shukariya
humne bhi dil me rakhi ye nishani aap ki
meharbani aapki aapne apna banaya
kya pata bin aap ke kuch bhata nahi
arey aapke bin or kuch bhata nahi
humko apni khush nasibi pe yaki aata nahi
ek to paigame ulfat fir jubani aapki
meharbani aapki hum to is kabil na the
hum to is kabil na the hai kadar jani aap ki
meharbani aapki aapne apna banaya
घायल हिरनी वन वन भटके | दुल्हन एक रात की | भूपेंदर सिंह.ghayal hirni van van bhatke
piche pada shikari
umariya jaye kaha bechari
umariya jaye kaha bechari
asvan jal se mal mil gayi
is ghayat ko gayi bhigoyi
dudh se dhuli chand si gori
ho gayi meli
sari umariya jaye kaha bechari
bichhada mit
gaav ghar chhuta
ye jag rutha vo jab rutha
aisi chaal chali kismat ne
puri bazi haari umariya
jaye kaha bechari
umariya jaye kaha bechari
Arrogant
son of a wealthy, blind woman, rapes his mothers nurse and abandons
her. She gets pregnant but the child does not live ...
hamar kaha maano raja ji hamar kaha hamar kaha
hamar kaha maano raja ji hamar kaha maano raja ji
hamar kaha maano raja ji o raja ji sautan ke
chikane chikane gal o raja ji ho raja ji raja ji
sautan ke chikane chikane gal fisal mat jana raja ji
fisal mat jana raja ji hamar kaha maano raja ji
hamar kaha maano raja ji
o raja ji sautan ke lambe lambe bal o raja ji
o raja ji sautan ke lambe lambe bal
ulajh mat jana raja ji ulajh mat jana raja ji
hamar kaha maano raja ji hamar kaha maano raja ji
o raja ji sautan ke tikhe tikhe nain o raja ji
o raja ji ho raja ji raja ji sautan ke tikhe tikhe nain
bahk mat jana o raja ji bahk mat jana o raja ji
hamar kaha maano raja ji hamar kaha maano raja ji
o raja ji sautan hai kanto vali bel
o raja ji sautan hai kanto vali bel
lipat mat jana raja ji lipat mat jana raja ji
hamar kaha maano raja ji hamar kaha maano raja ji
hamar kaha maano raja ji
Arrogant
son of a wealthy, blind woman, rapes his mother's nurse and abandons
her. She gets pregnant but the child does not live ...
Lyrics Raja Mehdi Ali Khan Music Madan Mohan.kisi ka kuch kho gaya hai kisi ka kuch kho gaya hai
kisi ka kuch kho gaya hai kisi ka kuch kho gaya hai
hai jis ki ye shay vo aake pehchane
nahi to ise aake le jayege begane
kisi ka kuch kho gaya hai kisi ka kuch kho gaya hai
khushbu hai is me gore gore hatho ki mashaallah
mahak hai is me kali kali julafo ki vallah vallah
jaldi aaja tu kaha hai haye madam tu kaha hai
kaha hai kaha hai kisi ka kuch kho gaya hai
kisi ka kuch kho gaya hai kisi ka kuch
chikani chikani inki vo koi gudiya hogi
chikani chikani inki vo koi gudiya hogi
ya fir tute pansoo vali gudiya hogi
apne darshan ab karana ho raha hu mai diwana
diwana diwana kisi ka kuch kho gaya hai
kisi ka kuch kho gaya hai kisi ka kuch
jiski ye shay hai uska pata mai kaise janu
jiski ye shay hai uska pata mai kaise janu
arey itni badi duniya me usko kaise dhundu
log aaye vo na aayi de raha hu mai duhayi
duhayi duhayi duhayi kisi ka kuch kho gaya hai
kisi ka kuch kho gaya hai kisi ka kuch
Arrogant
son of a wealthy, blind woman, rapes his mother's nurse and abandons
her. She gets pregnant but the child does not live ...zindagi dulhan hai ek raat ki zindagi dulhan hai ek raat ki
ek raat ki ek raat ki zindagi dulhan hai ek raat ki
mang bhari shaam ko baharo me saji saji raat chand taaro me
subha huyi mahandi chutti hath ki zindagi dulhan hai ek raat ki
bin bati jale umar ka diya bich dhar chhod gaya
nirday hi piya aankh band badan baat ki
zindagi dulhan hai ek raat ki zindagi dulhan hai ek raat ki
========================================= film (Dulhan Ek Raat Ki)(1967)
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Dulhan Ek Raat Ki (1967) Cast - Actor, Actress ... - Cinestaan
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Dulhan Ek Raat Ki Song
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Dulhan Ek Raat Ki ( transl. Bride for One Night) is a 1967 Bollywood film starring Dharmendra, Nutan and Rehman, the same trio who did Dil ne Phir Yaad Kiya. The film is based on the Thomas Hardy novel Tess of the d'Urbervilles. The songs from this film became hits.
Starring: Dharmendra; Nutan; Rehman
Directed by: D.D. Kashyap
Language: Hindi
Music by: Madan Mohan
Dulhan Ek Raat Ki (transl. Bride for One Night) is a 1967 Bollywood film starring Dharmendra, Nutan and Rehman, the same trio who did Dil ne Phir Yaad Kiya. The film is based on the Thomas Hardy novel Tess of the d'Urbervilles. The songs from this film became hits. "Sapnon Mein Agar Mere", "Ek Haseen Shaam Ko Dil Mera Kho Gaya", "Maine Rang Li Aaj Chunariya" and "Kai Din Se Jee Hai Bekal" are evergreen numbers.
Plot
Ashok (Dharmendra) and Nirmala (Nutan) meet on a railway platform in Dehradun, and then consequently in town as well, and are attracted to each other. Nirmala discovers that her mother (Leela Chitnis) has mortgaged their house to pay for her education, so she gets a job as nurse to a wealthy blind woman (Mumtaz Begum). This woman has a son Ranjit (Rehman) who is also very attracted to Nirmala. She knows it, but does her best to keep him at arm's length. Then Ashok gets a job out of town. When he tells Nirmala, he gives her a bracelet and promises to come back for her soon. But after a party at her employer's home—against her better judgment—she accepts a ride with Ranjit and he rapes her. The bracelet from Ashok is lost and she is left on the cold ground. When she finds out that she is pregnant, her mother takes her out of town, where she gives birth to a still-born child. Meanwhile, Ashok's father has arranged his marriage with the daughter of a colleague. Ashok's friend Bansi (Johnny Walker) sabotages the marriage when the girl comes to visit (in a very funny scene) by insinuating that Ashok is an inveterate gambler. This enrages his father, and when Ashok says that he has promised another girl he would marry her, his father retorts that he has promised his friend. At his response, Ashok's father gets up and leaves without another word. When Nirmala and her mother return home, Nirmala gets a letter from two of her school friends. They are working in Mussoorie at a school, and think Nirmala can get a job teaching there too. She goes there and gets the job at the school. Her friends ask where she has been, and tell her that Ashok went to her house looking for her several times. Ashok is living in a camp in Mussoorie, working as an engineer. The girls and Bansi conspire to reunite them. Ashok is overjoyed to see Nirmala, but of course she has changed. He asks her to marry him; she refuses at first, then says that she will give him her answer in a week and throws herself into his arms, weeping. After some thought, she writes him a letter explaining all that has happened in the past year, leaves it at his camp, and goes home to her mother. Her mother scolds her for telling him everything, but she says that she couldn't live with him in a lie. When he shows up at her door on Sunday, and says that she owes him an answer, Nirmala thinks that he has read her letter and forgiven her, and she agrees happily to marry him. Bansi disguises himself as an astrologer and goes to Ashok's parents, hoping to trick them into agreeing to come for his wedding. The ruse fails, however, and Ashok's father refuses. Ashok and Nirmala get married and go to stay in a hotel on their wedding night.As the newlyweds are about to go to bed, the hotel proprietor knocks on the door and hands Ashok a letter from Bansi. It's about their new house and Nirmala wants to read it; but it also contains her letter, which Bansi found under the carpet when he was packing up the camp. Nirmala is horrified, but gives the letter to Ashok. He reads it and walks away from her, stunned. When she follows him and pleads innocence, he agrees that she is innocent but that she is no longer the same Nirmala he worshipped and alienated his father for; he asks her why she didn't leave the job as soon as she suspected Ranjit's intentions. She leaves and goes home to her mother, hoping that he will come and get her—but he doesn't. Back at Ashok's, Bansi confronts him. As weeks pass into months, Nirmala decides to leave her mother's since the neighbors are all gossiping about her prolonged stay. She goes to Nainital, where she gets a job as a governess to a man with seven children. She enjoys the children and her new employer is good to her, but she still longs for Ashok. Her new employer's brother-in-law and niece arrive for a visit, and Nirmala soon realizes that they are Ashok's father and sister. Ashok's sister Sudha befriends Nirmala, not knowing that she is her bhabhi. Then one day as Nirmala is out walking, she hears a holy man over the loudspeakers outside a mosque. His words move her, and she goes in to meet him and get his blessing. It's Ranjit! She flees, but he follows her home and tells her that he is reformed; that after his mother died (she understood very well what kind of man he was) he wandered the world for a bit, and found God, and repented for all his sins. Nirmala tells him bitterly that she doesn't believe him and tells him to leave. A few days later he shows up again. He has transformed himself again from a guru to Ranjit. He tells her that after seeing her, he could not get her out of his mind, and that she is right—his sins are too great for him to be a man of God. He wants to live with her and take care of her. She angrily rejects him, but he keeps visiting. Back at his home again, Ashok's father has become very ill, and calls for Ashok to come see him. At the house, Ashok sees a photograph of Nirmala, which his sister had brought with her from Nainital as a memento of their friendship. He tells her that Nirmala is his wife and explains why they are not together. His sister and father convince him to go get her and bring her home. He sets off for Nainital to find Nirmala. Sudha telegrams Nirmala about this, delightedly she awaits for him. But Ashok leaves without meeting Nirmala. Nirmala hears Ashok going and comes out of the house and finds Ranjit, who had whisked Ashok away by telling him a lie that Nirmala is now happily living with him as he obsessively loves her. Nirmala, when she is about to leave to stop Ashok, she is stopped by Ranjit, who says that she belongs to him forever, not Ashok, enraged Nirmala stabs Ranjit to death for ruining her life and separating her from Ashok. As she leaves to stop Ashok, her neighbour witnesses the murder. Nirmala stops Ashok and tells him the truth about Ranjit and confesses her crime. Ashok accepts Nirmala and realises his mistake for not trusting her. He then realises that the police are after Nirmala, and ensures her that he will take the blame on himself, but Nirmala refuses by saying that crime cannot go unpunished, and she will surrender to police in the morning and asks Ashok to spend one last night with her together before police separate them. Then Ashok and Nirmala spend their last night together and consummate their marriage. The film ends as dawn breaks.
Songs
- "Kai Din Se Ji Hai Bekal" – Lata Mangeshkar
- "Ek Haseen Sham Ko Dil Mera Kho Gaya" – Mohammed Rafi
- "Hamaar Kahaa Maano Raaja" – Asha Bhosle, Usha Mangeshkar
- "Kisi Ka Kuchh Kho Gaya Hai" – Mohammed Rafi
- "Zindagi Dulhan Hai Ek Raat Ki" – Bhupinder Singh
- "Ghayal Hirni Van Van Bhatke" – Bhupinder Singh
- "Aapne Apna Banaaya Meharbaani Aapki" – Mahendra Kapoor, Lata Mangeshkar
- "Kabhi Ai Haqiqat-E-Muntazar, Nazar Aa Libaas-E-Majaaz Men" – Lata Mangeshkar
- "Maine Rang Lee Aaj Chunariya" – Lata Mangeshkar
- "Sapnon Mein Agar Mere, Tum Aao To So Jau" – Lata Mangeshkar
Poster
| |
| Directed by | D.D. Kashyap |
| Starring | Dharmendra Nutan Rehman |
| Music by | Madan Mohan |
Release date
| 1967 |
| Country | India |
| Language | Hindi |
Oct 30, 2019 - Uploaded by Bollywood Paradise
Watch #DulhanEkRaatKi 1967, a Classic Drama & Crime Movie. Starring Dharmendra, Nutan, Johnny Walker ...
Arrogant son of a wealthy, blind woman, rapes his
mother's nurse and abandons her. She gets pregnant but the child does
not live, and she continues to live her life and follow up on her ...
See full summary »
Director:
D.D. KashyapStars:
Dharmendra, Nutan, Johnny Walker | See full cast & crew »Cast
| Complete credited cast: | |||
 |
Dharmendra | ... | Ashok |
 |
Nutan | ... | Nirmala |
 |
Johnny Walker | ... | Bansi |
 |
Leela Chitnis | ... | Nirmala's mom |
 |
Rehman | ... | Ranjeet |
 |
Kanhaiyalal Chaturvedi | ... | (as Kanhaiyalal) |
 |
Tabassum | ||
| Rest of cast listed alphabetically: | |||
 |
Helen | ... | A dancer |
Edit
Storyline
Arrogant son of a wealthy, blind woman, rapes
his mother's nurse and abandons her. She gets pregnant but the child
does not live, and she continues to live her life and follow up on her
love life, only to face the past, and her "reformed" rapist.
Written by
rAjOo (gunwanti@hotmail.com)
Plot Summary
|
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Parents Guide:
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Country:
IndiaLanguage:
HindiCompany Credits
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Sound Mix:
MonoColor:
Black and WhiteUser Reviews
Dulhan ek raat ki is a heart-breaking but
ultimately very sweet movie about pure love being destroyed by an act of
wretched callousness, and how it changes the lives of those involved.
Nutan is just lovely, playing all the right notes and proving once again
that she was one of the great Hindi actresses. Dharmendra is very
charming as the simple but good-hearted guy head over heels for Nutan's
character. They have great chemistry. The songs are wonderful,
especially "ek haseen shaam ko" and "sapno mein agar mere". The story
moves at an adequate pace without rushing events. A nice trip back to
when love and affection could be expressed completely without being
vulgar.
Mar 3, 2008 - Dulhan Ek Raat Ki (1967). derk_trees.jpg. From the title, I suspected this might be a sad film. Then I discovered it was based on Thomas ...
Complete information on bollywood movie: Dulhan Ek Raat Ki Star cast, Movie Rating, Reviews, Plot, Screenshots, Song listing-10, Trailer, Watch Movie link and ...
Ek Haseen Sham Ko Dil Mera Kho Gaya.
| Thumb | Song Heading | Singer | Composer | Lyricist | Film (Year) |
|---|---|---|---|---|---|
 | Ek Haseen Sham Ko Dil Mera Kho Gaya
4.51 - 187 votes
| Mohammed Rafi | Madan Mohan | Raja Mehdi Ali Khan | Dulhan Ek Raat Ki (1966) |
 | Sapnon Mein Agar Mere
4.82 - 49 votes
| Lata Mangeshkar | Madan Mohan | Raja Mehdi Ali Khan | Dulhan Ek Raat Ki (1966) |
Video Playlist - songs on this page from YouTube
| Movie | Film Cast | Singer | Director | Producer |
|---|---|---|---|---|
 Dulhan Ek Raat Ki (1966) | Johnny Walker, Dharmendra, Nutan, Rehman, Baby Tabassum, Leela Chitnis, Helen, Moti Lal, Shyama, Murad, Agha, Daisy Irani, Bhagwan, Leela Mishra, Kanhaiya Lal | Asha Bhosle, Lata Mangeshkar, Mohammed Rafi, Mahendra Kapoor | D D Kashyap | Taxila |
HindiGeetMala Search Panel - Songs & Films
pahale apanaa huaa karataa thaa
ab kisikaa ho gayaa
muddato se aarazu thi
mere dil me koi aaye
suni suni zindagi me
ek shammaa jhilamilaaye
vo jo aaye to roshan zamaanaa ho gayaa
ek hasin
mere dil ke kaaravaa ko
le chalaa hai aaj koi
shabanami si jisaki aankhe
thodi jaagi thodi soyi
unako dekhaa to mausam suhaanaa ho gayaa
ek hasin
tum aao to so jaaun
tum aao to so jaaun
sapno me agar mere
baho ki mujhe mala
pahnaao to so jaaun
pahnaao to so jaaun
sapno me agar mere
sapno me kabhi saajan
baitho mere paas aake
sapno me kabhi saajan
baitho mere paas aake
jab sine pe sar rakh du
mai pyaar me sharmake
ek geet mohabbat ka
tum gaao to so jaaun
tum gaao to so jaaun
sapno me agar mere
beeti hui wo yaade, hansti hui aati hai
beeti hui wo yaade, hansti hui aati hai
lahro ki tarah dil me aati kabhi jati hai
yaado ki tarah tum bhi
aa jaao to so jaaun
aa jaao to so jaaun
sapno me agar mere
tum aao to so jaaun
tum aao to so jaaun
sapno me agar mere
kai din se ji hai bekal
ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan kai din se ji hai bekal
ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan
bichhdi nazar nazar se to bechain ho gai
bichhdi nazar nazar se to bechain ho gai
aise lagaa ke jaise koi chiz kho gai
ab unke binaa hun aise jaise nainaa bin kaajal
kai din se ji hai bekal ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan
aai jo unki yaad to saanse mahak gai
aai jo unki yaad to saanse mahak gai
aankho me bijaliyaan si hazaaro chamak gai
jis or uthi ye nazre lahraae pyaar ke baadal
kai din se ji hai bekal ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan
kai din se ji hai bekal ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan
ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan kai din se ji hai bekal
ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan
bichhdi nazar nazar se to bechain ho gai
bichhdi nazar nazar se to bechain ho gai
aise lagaa ke jaise koi chiz kho gai
ab unke binaa hun aise jaise nainaa bin kaajal
kai din se ji hai bekal ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan
aai jo unki yaad to saanse mahak gai
aai jo unki yaad to saanse mahak gai
aankho me bijaliyaan si hazaaro chamak gai
jis or uthi ye nazre lahraae pyaar ke baadal
kai din se ji hai bekal ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan
kai din se ji hai bekal ai dil ki lagan ab le chal
mujhe bhi vahaan mere piyaa hai jahaan
mere piyaa hai jahaan
maine rang lee aaj chunariya sajana tore rang me
maine rang lee
jiya mora chahe mai bhee khelu o sajanava holee aaise
radha ne kanhaiya sey prem kee holee khelee jaise
prem ke mai rang phenku
bin tumhare kuchh naa dekhu
maine rang lee aaj chunariya sajana tore rang me
kitne jatan sey yeh rup sajaya maine sajana
soye huye sapne ko phir jagaya maine sajana
mai toh dubee prem ras me
ab nahee mai apne bas me
maine rang lee aaj chunariya sajana tore rang me
jaldee sey aa meree bavree ankhiya teree pyasee
charnon me tere piya swarg basa le teree dasee
tum bata do mere kya ho
mai to janu devata ho
maine rang lee aaj chunariya sajana tore rang me
kabhi ae hakikate muntjar, najar aa libase majaj me
ke hazaaro sajde tadap rahe hain meri jabine niyaz me
kabhi ae hakikate muntjar
na bacha bacha ke tu rakh ise
na bacha bacha ke tu rakh ise
tera aaina hain wo aaina
tera aaina hain wo aaina, aaina, aaina
na bacha bacha ke tu rakh ise
na bacha bacha ke tu rakh ise
tera aaina hain wo aaina, aaina, aaina
tera aaina hain wo aaina
ke shiksta ho to ajijtar hain nigahe aaina saaz me
ke shiksta ho to ajijtar hain nigahe aaina saaz me
kabhi ae hakikate muntjar, najar aa libase majaj me
kabhi ae hakikate muntjar
na wo ishq me rahi garmiya, na wo husn me rahi shokhiya
na wo ishq me rahi garmiya, na wo husn me rahi shokhiya
shokhiya, shokhiya
na wo ishq me rahi garmiya, na wo husn me rahi shokhiya
na wo gajnawi me tadap rahi hain
na wo kham hain julfe aayaz me
na wo gajnawi me tadap rahi hain
na wo kham hain julfe aayaz me
kabhi ae hakikate muntjar, najar aa libase majaj me
kabhi ae hakikate muntjar
main jo sar-b-sajda kabhi hua, to jami se aane lagi sada
main jo sar-b-sajda kabhi hua, to jami se aane lagi sada
aane lagi sada, aane lagi sada
main jo sar-b-sajda kabhi hua, to jami se aane lagi sada
tera dil to hain sanam aashna, tujhe kya milega namaj me
tera dil to hain sanam aashna, tujhe kya milega namaj me
kabhi ae hakikate muntjar
kabhi ae hakikate muntjar, najar aa libase majaj me
najar aa, najar aa
najar aa libase majaj me
ke hazaaro sajde tadap rahe hain meri jabine niyaz me
kabhi ae hakikate muntjar
meharbani aapki hum to is kabil na the
hum to is kabil na the hum to is kabil na the
hai kadar jani aap ki meharbani aapki
aapne apna banaya
aaj humne dil ke badale aap ko dil de diya
aaj humne dil ke badale aap ko dil de diya
aaj humne dil ke badale aap ko dil de diya
isi inayet is navaris is karam ka shukariya
humne bhi dil me rakhi ye nishani aap ki
meharbani aapki aapne apna banaya
kya pata bin aap ke kuch bhata nahi
arey aapke bin or kuch bhata nahi
humko apni khush nasibi pe yaki aata nahi
ek to paigame ulfat fir jubani aapki
meharbani aapki hum to is kabil na the
hum to is kabil na the hai kadar jani aap ki
meharbani aapki aapne apna banaya
piche pada shikari
umariya jaye kaha bechari
umariya jaye kaha bechari
asvan jal se mal mil gayi
is ghayat ko gayi bhigoyi
dudh se dhuli chand si gori
ho gayi meli
sari umariya jaye kaha bechari
bichhada mit
gaav ghar chhuta
ye jag rutha vo jab rutha
aisi chaal chali kismat ne
puri bazi haari umariya
jaye kaha bechari
umariya jaye kaha bechari
hamar kaha maano raja ji hamar kaha maano raja ji
hamar kaha maano raja ji o raja ji sautan ke
chikane chikane gal o raja ji ho raja ji raja ji
sautan ke chikane chikane gal fisal mat jana raja ji
fisal mat jana raja ji hamar kaha maano raja ji
hamar kaha maano raja ji
o raja ji sautan ke lambe lambe bal o raja ji
o raja ji sautan ke lambe lambe bal
ulajh mat jana raja ji ulajh mat jana raja ji
hamar kaha maano raja ji hamar kaha maano raja ji
o raja ji sautan ke tikhe tikhe nain o raja ji
o raja ji ho raja ji raja ji sautan ke tikhe tikhe nain
bahk mat jana o raja ji bahk mat jana o raja ji
hamar kaha maano raja ji hamar kaha maano raja ji
o raja ji sautan hai kanto vali bel
o raja ji sautan hai kanto vali bel
lipat mat jana raja ji lipat mat jana raja ji
hamar kaha maano raja ji hamar kaha maano raja ji
hamar kaha maano raja ji
kisi ka kuch kho gaya hai kisi ka kuch kho gaya hai
hai jis ki ye shay vo aake pehchane
nahi to ise aake le jayege begane
kisi ka kuch kho gaya hai kisi ka kuch kho gaya hai
khushbu hai is me gore gore hatho ki mashaallah
mahak hai is me kali kali julafo ki vallah vallah
jaldi aaja tu kaha hai haye madam tu kaha hai
kaha hai kaha hai kisi ka kuch kho gaya hai
kisi ka kuch kho gaya hai kisi ka kuch
chikani chikani inki vo koi gudiya hogi
chikani chikani inki vo koi gudiya hogi
ya fir tute pansoo vali gudiya hogi
apne darshan ab karana ho raha hu mai diwana
diwana diwana kisi ka kuch kho gaya hai
kisi ka kuch kho gaya hai kisi ka kuch
jiski ye shay hai uska pata mai kaise janu
jiski ye shay hai uska pata mai kaise janu
arey itni badi duniya me usko kaise dhundu
log aaye vo na aayi de raha hu mai duhayi
duhayi duhayi duhayi kisi ka kuch kho gaya hai
kisi ka kuch kho gaya hai kisi ka kuch
ek raat ki ek raat ki zindagi dulhan hai ek raat ki
mang bhari shaam ko baharo me saji saji raat chand taaro me
subha huyi mahandi chutti hath ki zindagi dulhan hai ek raat ki
bin bati jale umar ka diya bich dhar chhod gaya
nirday hi piya aankh band badan baat ki
zindagi dulhan hai ek raat ki zindagi dulhan hai ek raat ki
